International Journal of E-Politics
Volume 7 • Issue 2 • April-June-2016, pp 51-61
The self is performed through the banal of the everyday on social media. The banality of the everyday constitutes an integral part of our communication on digital platforms.Taking this as part of our performative lives in the digital economy, the paper looks at ways in which we co-produce the self through the banality of the everyday as wellas a wider imagination and engagement with the world. These wider engagements are termed as ‘fictive’ not because they are unreal but through a conceptual notion of how the self is performed and imagined through wider world events in digital platforms and screen cultures where convergence of technologies allow us to be constantly consumed through the screen as we live out our daily lives. The narration of our lives through the banal and the fictive constantly co-produces the self through a situated domesticity of the everyday and equally through the eventful. In the process it reveals our ongoing relationship with the screen as an orifice for the production of self and the construction of a social reality beyond our immediate domesticity.
